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The desperate desire to paint Jules as a villain is thinily veiled transphobia.
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It’s painful to think that a cute internet joke is needed to rile people up after the death of a Black woman.
Article after article promotes the idea that disabled people are a burden.
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In “Watchmen,” as in the real world, the efficacy of law and justice is consistently betrayed by their racist foundations.
Dubbed “candy for the soul,” “Love, Victor” is exactly that: sweet, sugary, and, unfortunately, missing something.
“City on Lock” is their ethos at its finest.
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