Latest Articles

three women, one Black and two white, smile at each other while holding up bundles of money

The “Claws” Effect: “Good Girls” Is More Than a Guilty Pleasure

April 26, 2019 at 11:23am

These women are more concerned about paying their mortgages, caring for their children, and fighting complicated custody battles than facing consequences.

Anita Hill holding a microphone and gesturing with her other hand while giving a lecture

On Our Radar—Feminist News Roundup: Joe Biden’s Apology to Anita Hill Isn’t Enough

by Bitch HQ

April 26, 2019 at 6:00am

Anita Hill on Joe Biden’s apology: “I will be satisfied when I know there is real change and real accountability.”

The Future is Fembot: Can We Change the Direction of Gendered AI?

by Dejan Jotanovic

April 25, 2019 at 9:00am

Artificial intelligence has become an extension of women’s ongoing struggle for well-rounded respect in modern society.

On Our Radar—Feminist News Roundup: CBS Has a Racism Problem

by Bitch HQ

April 25, 2019 at 6:00am

“CBS doesn’t value a diverse workplace,” says former director of entertainment.

a white teenage couple embraces and kisses

A Girl Has Sex: Three Cheers for Arya Stark’s Sex Scene

by Jessica Daniels

April 24, 2019 at 5:01pm

Given Arya’s recent past, this might be the most wholesome thing she’s done in a while.

“Cuz I Love You” Invites Women to a Self-Love that Runs Deeper than Hashtags

by Natelegé Whaley

April 24, 2019 at 12:08pm

Cuz I Love You’s self-love anthems aren’t cheesy, forced, or performative, thanks to Lizzo’s evolution as an artist.

Elizabeth Warren wearing a red blazer, sitting in a beige chair, and holding both hands out as she gestures to the audience she's speaking to

On Our Radar—Feminist News Roundup: Why We Write off Female Candidates

by Bitch HQ

April 24, 2019 at 6:00am

Women running for office are frequently considered “unelectable.”

Vivien Green Fryd Charts the Feminist Artists Who’ve Painted #MeToo for Decades

by Dahlia Balcazar

April 23, 2019 at 10:59am

Against Our Will challenges us to witness without looking away, exploring sexual violence as a discrete subject of American art with unflinching analysis.