Latest Articles

House Proud: The Troubling Rise of Stay-at-Home Daughters

Women in the Christian Patriarchy Movement aren’t just stay-at-home mothers—they’re stay-at-home daughters as well.

It’s Jane’s House—We Just Live in It: Brontë, Feminism, and the Gothic Tradition

The themes and tropes Jane Eyre combined so brilliantly—patriarchy and male control, female dopplegangers, and, of course, gothic houses—remain ever-present in literature and popular culture.

On Our Radar—Feminist News Roundup: How Many of This Year's Best Overlooked Books Have You Read?

Today we’re reading about hair, books, and memes.

Ambition Condition: Women, writing, and the problem of success

By not owning up to her ambitions—whether they’re in the public or private realms—a writer feeds the machine that discounts the aspirations and talents of all women writers.

Of Woman Borg: Bionic betties, radical robots, and the evolution of the artificial woman

It’s no shock that feminine cyborgs are used exclusively in ads targeting young males; they tap right into stock fantasies of female subservience.”

Good Looking Out: Siri Hustvedt's New Essay Collection is an Exercise in Interdisciplinary Curiosity

Hustvedt dispenses with illusions of academic objectivity and doesn’t hesitate to share her thoughts and feelings throughout these pieces.

On Our Radar—Feminist News Roundup: Hold Your Celebrities Close

Today we’re reading about Carrie Fisher, the myth of the “Unheard” Trump voter, and Planned Parenthood joining the Women’s March. 

Pins and Needles: Tuesday Bassen Fights the Fast-Fashion Powers Ripping off Indie Designers

Early in 2016, Bassen’s art started showing up in an unwelcome place: On the website of fast-fashion mainstay Zara, uncredited. 

No Disrespect: Black Women and the Burden of Respectability

The public image of black female dignity is routinely attacked by a 24/7 media-industrial complex that serves up a steady stream of caricature.

 

How to Raise a Boy in 1979: Navigating love, gender, and punk music in “20th Century Women”

Unlike Mills’s other boy-meets-girl, girl-somehow-saves-boy plots, the women are the backbone of this film. 

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