Lilly Singh is trailblazing as a South Asian woman on late night TV while also dismantling that good work by continuing to perform a Blackness that isn’t hers.
Unlike horror-movie fates such as, say, decapitation by paper cutter, aging is the ultimate fright because viewers recognize that they cannot escape it.
HBO’s hourlong drama about a Murdoch-inspired family slyly toys with Americans’ impulse to see the good in the worst people, particularly when those people are white.
This week, Dahlia and Amy get into the recent campus conflict when white students with hurt feelings thought it’d be a good idea to burn books written by a visiting author.
