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On Our Radar—Feminist News Roundup: White House Speechwriter Really into White Supremacy

Stephen Miller, the White House speechwriter, is more firmly entrenched in white nationalist circles than previously understood. Read more »

On Our Radar—Feminist News Roundup: Suicide Rates Fell in These Countries after Gay Marriage Was Legalized

Researchers say suicide rates are still “worryingly high.” Read more »

On Our Radar—Feminist News Roundup: Leave Summer Walker Alone

On Instagram, Walker said, “I’m grateful for every single one of you, and I hope that you understand that wellness/mental health is important.” Read more »

On Our Radar—Feminist News Roundup: In 2020, the Sexism Will Be Sneakier

“In politics, a field whose battles are typically fought with words, question marks themselves can double as weapons.” Read more »

On Our Radar—Feminist News Roundup: How Many People Have to Die before We’re Done with Gender Reveals?

Why do we need to blow things up to celebrate our babies’ genitals? Read more »

On Our Radar—Feminist News Roundup: Debt Is Holding Black Americans Hostage

“To break free, we need an honest conversation about reparations and forgiveness on a mass scale.” Read more »

On Our Radar—Feminist News Roundup: Instagram Will Start Hiding Likes This Week

CEO Adam Mosseri announced that some U.S. Instagram users can expect their like counts to vanish from public view. Read more »

On Our Radar—Feminist News Roundup: Robyn Crawford Confirms Relationship with Whitney Houston

“She said if people find out about us, they would use this against us,” says Crawford, “and back in the ’80s that’s how it felt.” Read more »

On Our Radar—Feminist News Roundup: T.I. Subjects Daughter to Yearly “Virginity” Checks

T.I. told an interviewer that he goes with his daughter to the gynecologist annually to make sure “her hymen is intact.” Read more »

On Our Radar—Feminist News Roundup: In “Parasite,” Korean Architecture Represents Structural Inequality

“Parasite” is an international sensation, partly because of universal themes of class conflict. But certain elements of the film are specifically South Korean. Read more »

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