B-Sides: Choosing Sides with Ani Difranco

b-sides logo_bigger size

Ani DiFranco has taken a lot of sides in her decades-long career. She has also famously refused to take sides, and, undeniably, looked at many things from both sides. Her new studio album ¿Which Side Are You On?, released today, is both a personal State of the Union address from the iconic folksinger, and an appeal to her listeners and the larger world to decide and declare where each of us stands in a world that’s begging for champions.

whichsideareyouon album cover with a photo of a peacock

It’s been more than three years since Ani’s last studio album, which is a fairly average brew time for many musicians, but for the incredibly prolific DiFranco it’s a lifetime. That word choice is deliberate: DiFranco and her husband have spent the last several years making a human, instead of making more records. The occurrence of her marriage and arrival of her daughter are ¿Which Side Are You On? ‘s definitive subjects, and place DiFranco on a couple of her most high-profile sides to date. First, she’s married. Happily. To a man. This has the potential to be startling stuff to DiFranco fans, some of whom were heartbroken that she settled down with a not-woman AND had a great time doing it AND proceeded to release some of her most thoughtful work to date because of it. It’s a different picture of the bisexual singer than her earlier work painted, or than Nick Hornby condescendingly alluded to, and the backlash, which DiFranco has said affected her deeply, is perhaps understandably passionate because the singer herself is so unflinching in the emotional revelations she’s been putting to music since 1989. But judging her music for who she shacks up with is, obviously, absurd.

That being said, being married is every, every, EVERYwhere on ¿Which Side Are You On?. Some songs mention her partner outright, and some obliquely. From “Unworry,” whose colloquial lyrics and speak-singing delivery make the lovey-dovey message less sappy: Let’s only ever be allies/even if the whole background dissolves/And little pink hearts can pop over our heads/but we’ll keep our cool.

From “Albacore,” the album’s most direct love song, and some of the calmest, most beautiful songwriting DiFranco’s ever done (Hornby be damned): Look here I just tattooed/A wedding band/On what looks like to me/My mother’s hand/I’m no blushing girl/No innocent dove/It took me a long time/to find love/But now I have no doubt/and I never will/That I am meant to be/Loving you/And it fairly blew my mind/To be so sure/When that little needle/said I do.

And then there’s “Hearse,” a song with admirable simplicity but some pretty jarring lyrics to veteran Ani-fan ears. “I don’t want to strive for nothing anymore,” she sings, “I just wanna lie here with you, keep the wars outside the door.” OK, I thought, after hearing that line, the first one in the song. Maybe she really ISN’T on our side anymore. But that’s not right, either. “Hearse” comes after “J,” a political roll call of the ruling classes’ wrongs, a DiFranco specialty, “Amendment,” which calls for an ERA-type amendment to be made once and for all, and “¿Which Side Are You On?,” the anthemic titular remake of Pete Seeger’s 1953 song written for unionized workers. (Folk hero double points: Seeger plays the banjo for Ani’s cover, which is the musical highlight of the entire record even without knowing who’s playing it. Stream or download the song on Soundcloud by clicking here) She has not lost her razor-sharp critical eye, nor her ability to say words like “abortion” and “patriarchy” (or “albacore,” for that matter) on records without sounding like she’s reading a textbook of feminist theory. But that doesn’t mean that “Hearse” isn’t a misstep. It is. It’s a sweet song, but everybody writes sweet songs, and Ani DiFranco is not everybody. The album would be stronger without this particular lullaby.

Then there is her daughter, who was born in 2007, between the releases of Reprieve and Red Letter Year. (Telling titles, to say nothing of their content.) The baby was the star of Red Letter Year and the hinted-at result of Reprieve, which again threw longtime listeners for a loop. The title poem from Reprieve says To split yourself in two, is just the most radical thing you can do/So if that shit ain’t up to you/Then girl you simply are not free./Cause from the sunlight on my hair/to which eggs I grow to term/to the expresision that I wear/All I really own is me. WHAT? Our Ani, Ani of the West Side Highway and Jersey sunsets and fetuses “holding court in [her] gut?” She’s CARRYING EGGS TO TERM NOW? Yes. She is. And then she’s writing graceful, powerful songs about it, just like she was writing graceful, powerful songs when she wasn’t. She is audibly smiling while singing, whenever her family is the subject matter. Even when they’re not, Difranco’s music has changed. Her guitarwork is slower, less overpowering. Her voice is more even, more relaxed. Her vocal cords and her entire musical attitude ooze calm and well-being, and she has absolutely never sounded more on top of her game.

And, fears be quelled, she is still (in fact, more than ever!) a big ol’ Banner-Carrying Feminist (BCF). (For more on Ani’s current understanding of feminism, see in particular the interview Avital Norman Nathman did with her for Bitch last month! Full version here.)

The first line of this album, in the song “Life Boat,” says Every time I open my mouth/I take off my clothes. Hearing that, it’s clear Ani Difranco has not changed any fundamental sides here. The music she makes is still as revealing and brave as it ever was, even if the paradigm has shifted lower on the Kinsey scale and higher on the number of bedrooms needed to house her brood. She is a masterful musician whose happiness makes her playing even better. Her audience is growing, her influence is immutable, and her voice is a vital one for feminists and activists everywhere. ¿Which Side Are You On? is the product of an artist comfortable with the side she stands on, waiting for (and demanding) everyone else to find and stand comfortably on their own. Previously: The Last Names, Flown

by Katie Presley
View profile »

Katie Presley is a writer and editor currently based on the East Coast (help, how did this happen??). She's been with Bitch in one form or another since 2010, when she started as a New Media Intern, and most recently served as Bitch's first and only Music Editor, from 2016-2017. Past resume lines include Assistant Producer for All Songs Considered at NPR Music, panelist on Pop Culture Happy Hour, and bylines at NPR and Ms. Katie is also a doula and herbalist, and writes a blog on herbal medicine, "The Herbal Apprentice." She also co-founded the first full-spectrum doula organization in Texas, The Bridge Collective. She is also a late-comer to being a Dog Person, but currently lives with four cats. 

Get Bitch Media's top 9 reads of the week delivered to your inbox every Saturday morning! Sign up for the Weekly Reader:

2 Comments Have Been Posted

The last time I saw Ani she

The last time I saw Ani she spent far too much of her show booming about the "saviour" that was Obama. I admit I was quite turned off by that, as I knew from the beginning, Obama was no saviour! I stopped listening to her for a time, but I still enjoy her music, especially her earlier albums, so I am giving her another shot and looking forward to her upcoming tour. I'm just hoping it will be a little more grounded in reality and not another commercial for some lying politician.

"...Dude could be FDR right

Ani difranco is my all-time

Ani difranco is my all-time favourite music artist! I love that her music is actually about real emotions instead of the mainstream pop-crap that basically boils down to "hey baby let's have sex!".

I must say that I absolutely love Hearse! And by no means do I think it's a misstep. Her music is so human and I think the love shown in Hearse is just another way of telling us she's human. People fall in love and get gushy and lose their minds, it just happens and it doesn't mean she's selling out.

There's this "Living in Clip" called "Distracted" that has her talking about people's views on her love songs and stuff. She says people keep asking her if she is "selling out" and taking a "concious step away from overtly political song writing." and she says "No man.....it's just......I just got kinda.......distracted." And I think that's a hugely brave and honest thing to admit.

It also confuses me when people get all in an outrage because she's married to a man and she's got a baby. Who ever said that you have to be a childless lesbian in order to be a feminist? F*ck that man, anyone can be a feminist even *shock* men!

To me she's never once betrayed her ideals. Sure she's written a few sappy songs like Hearse or Present/Infant but listening to the lyrics you can tell that they are still 100% her. And she will probably forever be my number one idol!

Add new comment