Screen
Cop Out: “Brooklyn Nine-Nine’s” Finale Fails to Reckon with Its Pro-cop Legacy
Brooklyn Nine-Nine was, at heart, copaganda—a show that, in the midst of a growing real-life reckoning, made viewers feel good—or, if not good, better—about American policing.
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The Ends Justify the Screens: Why Onscreen AAPI Representation Simply Isn’t Enough
Within a few weeks of each other, scandals regarding racist production practices on both Kim’s Convenience and Shadow and Bone made headlines.
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All the Ladies in the House: “Impeachment: American Crime Story” Has a Woman Problem
A paper-thin portrait of political women leans into the prurient, and assumes the worst.
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“The White Lotus” Shines Its Tiki Torch on Settler Colonialism
The White Lotus looks to critique masculinity and its many toxicities.
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Summoning Yourself: The Role of Conjure in “Candyman”
Sometimes desire is layered with disbelief, but the summoner gets what they asked for regardless.
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Demon Seed: “False Positive” Treats Wombs as Receptacles for Terror
In each of these films, it’s the male ego that guides the doctors and fathers.
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False Hope: Can Anyone Stop Religious Conversion Camps?
Pray Away cracks open the duality of “belonging.”
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Land Mine: Did “Rutherford Falls” Need to Center a White Guy?
The story draws on a narrative that has gained traction in the reckoning around race and history.
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Queer Fear: The “Fear Street” Trilogy Refuses to Bury Its Gays
Fear Street refuses to prioritize straight, white leads like the slasher films of the past.
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Better Than Sex Ed: Pop Culture Is Teaching Teens About Sex
When sex education isn’t what kids need, they look to pop culture for the answers.
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