Screen
Hiding in Dreams: Jane Schoenbrun Is Redefining Trans Cinema
Bitch spoke with Jane Schoenbrun about the film, dysphoria, and how the internet shapes our identities.
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Homophobic Violence Mars the Romance of “The World to Come”
What the film lacks in any real, tangible chemistry between its leads, it makes up for in its excess of violence.
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Twisted Trauma: “Malcolm & Marie” Evaluates the Young, Female Muse
Marie is a muse without divine favor: She must know invisibility so that he might know its opposite.
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We Can’t Help But Wonder: Why Is “Sex and the City” Being Rebooted?
Our standards are evolving, and Sex and the City no longer meets them.
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Poisoned Rose: Why the “Cruel Optimism” of “The Bachelorette” Still Draws Us In
In a time that’s more mediated than ever before, love is a contrived TV show for us all.
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Royal Representation: On the Strange Racial Politics of “Bridgerton”
In essence, all these shows do is show people of color being terrible white people.
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Lost and Found: Season 4 of “Search Party” Is the Perfect Pandemic Watch
The dark comedy series is back for a new season, and we couldn’t be more thrilled about it.
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In Favor of the Queer Mediocrity of “Ammonite”
The film’s mapped-on queerness feels like a form of branding rather than a genuine endeavor.
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Switching Fears: “Freaky” Is an Empowering Body-Swap Horror Comedy
Freaky explores gender and body horror in a captivating (and extremely funny) way.
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“Wonder Woman 1984” Replaces Girl Power with Empty Platitudes
Although it tries, Wonder Woman 1984 struggles to speak to this moment and deliver a coherent message.
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