Screen
“I Care a Lot” is Visceral Catharsis for Women’s Rage
There’s therapy to be found in these films.
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Great American Nowhere: “Nomadland” Is the Movie “Hillbilly Elegy” Wants to Be
Nomadland actively rejects poverty porn tropes.
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Joss Whedon and the Persistence of Prioritizing Male “Creative Genius”
What if we cared more about justice than “male genius?”
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Fucking Tired: Fixing “The Bachelor’s” Racism Isn’t Rachel Lindsay’s Job
Rachel Lindsay has become the built-in key to solving the empire’s ongoing problems with racism.
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BitchWatch: 5 Frightening Feminist Films from Sundance
These movies are meaningful entries into a genre that has its sights toward social commentary.
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Hiding in Dreams: Jane Schoenbrun Is Redefining Trans Cinema
Bitch spoke with Jane Schoenbrun about the film, dysphoria, and how the internet shapes our identities.
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Homophobic Violence Mars the Romance of “The World to Come”
What the film lacks in any real, tangible chemistry between its leads, it makes up for in its excess of violence.
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Twisted Trauma: “Malcolm & Marie” Evaluates the Young, Female Muse
Marie is a muse without divine favor: She must know invisibility so that he might know its opposite.
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We Can’t Help But Wonder: Why Is “Sex and the City” Being Rebooted?
Our standards are evolving, and Sex and the City no longer meets them.
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Poisoned Rose: Why the “Cruel Optimism” of “The Bachelorette” Still Draws Us In
In a time that’s more mediated than ever before, love is a contrived TV show for us all.
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