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BitchTapes: What'd I Miss?
This week’s mix is all music from the past year that passed us by when it first came out, but is front and center in every mixtape we’re making this spring!
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You’re Not the Girlboss of Me: Conflating Capitalism with Feminism in Netflix’s New Series
The expanding landscape of television means that unlikable characters can no longer just be jerks for jerks’ sake.
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Say Yes to Distress: Trump Voters: FEMINISTS UNITED TO COMBAT KAKISTOCRACY IN TRUMP TIMES
It’s important to recognize the stratification among Trump Voters. It is not a monolith, but you really gotta hand it to the MAGAs: Once they buy, they don’t look back.
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Nerve Endings Signals New Beginnings for Trans Erotica: Tobi Hill-Meyer Transforms Narratives in Trans Erotic Lit
In Tobi Hill-Meyer’s anthology collection, Nerve Endings: The New Trans Erotic, 30 writers set out to create a new way to think about transgender erotica by grounding the genre in how trans people actually have sex.
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New Music Monday: TOMBOi
TOMBOi spend their non-music-making hours mentoring LGBTQ youth, and their music-making hours creating and holding space for their queer peers. Their sound is ethereal electro-pop, but the work they’re doing is deeply grounded.
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BitchTapes: Doin' It
A mix of songs related to sexy, sexy, sex times. And a couple of wild cards.
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The Truth Will Not Be Circulated: Fake News and Incarcerated Parents
Fake news succeeds because it disempowers readers by expecting them to believe everything they see, to react to headlines and share articles without ever having read them.
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Whitewashing Death Note: Hollywood's Unabashed Bleaching of Anime Continues
Netflix, in whitewashing a series so popular that it appealed to even non-weeaboos, is encouraging white audiences to remember the characters how they want to, rather than how they were actually written.
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New Music Monday: Carry Illinois
Rebuilding a band after tragedy was the engine propelling indie rock band Carry Illinois’ latest project, and the results are heartbreaking and life-affirming.
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Get Out of Gilead: Anti-Blackness in “The Handmaid’s Tale”
The Handmaid’s Tale remains silent on the central feature of American history, anti-blackness, while it takes from the oppression of Black women and applies it indiscriminately to white women.
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