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Mourning Norma McCorvey: The Story of Jane Roe is a Lifelong Struggle to Heal from Hardship and Abuse
Norma was not wounded by the abortions she didn’t have. She was wounded by life.
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Color and Desire: Lady Skollie's Politics of Lust
“I want [audiences] to see a different version of a woman of color from South Africa than they thought possible.”
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“Buffy the Vampire Slayer” Taught the Value of Female Aggression
Buffy the Vampire Slayer showed me that aggressiveness is an important part of a woman’s personality, something she could not be whole without.
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Up the Academy : The Bests, Worsts, and More from Last Night's Oscars Ceremony
We laughed. We cried. We celebrated. We lost our shit a little at the end there.
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New Music Monday: The Doubleclicks: 'Women Know Math'
The Doubleclicks dispel with the notion that making frankly feminist music needs to be inaccessible or obtuse. Their music is as direct and approachable as a lunch date with your best friend.
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Oscar Night! Bitch Picks vs. Bitch Predictions
Be sure to tune in Sunday and crash our live-tweet Oscar party on Twitter! (Well, it might just be Andi and Lisa going back and forth about Jimmy Kimmel with a lot eye rolling emojis, and dissecting speeches and fashion statements.)
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BitchTapes: And the Oscar Goes To...
This week’s mix highlights Oscar-nominated music composed and/or written by women. Yes, two women wrote the lyrics to the “Rocky” theme song.
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Viola Davis and the Afro as Resistance
This is why we applaud Viola, because she publicly oscillates between afro and wig, which invalidates the idea that only a certain “type” of woman wears weave and that only a woman who burns incense wears an afro.
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About the Art: The Family Values Issue
Which of our illustrators would like to be adopted into Professor Xavier’s School of Gifted Youngsters? Who feels more kinship towards the Addams family? Find out more about the art family we’ve assembled for the Family Values issue, and read about our cut paper cover.
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Morgan Parker’s New Collection Is a Complex Tribute to Black Women
Morgan Parker’s book is an exciting contribution to the rich legacy of Black feminist art, literature, poetry, and music.
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