film
End All, Be All: A Roundtable About “Harriet” and the State of Black Film Criticism
We need to give critics space to ply their craft without pitting them against the films, the audiences, and/or each other.
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The Most Impactful Pop Culture Phenomenons of the 2010s
As we speedily approach 2020, we reflect on some of the most memorable moments in pop culture of the last decade.
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The Role of Disgust in Contemporary Queer Female Films
Lesbian films focusing on “grossness” is a misguided attempt to combat hypersexualization.
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Under Armor: Sex Work, Style, and Survival
Cinema still frames sex workers as troublesome sirens whose sole purpose is to disarm men and leave them broken.
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Unpoetic Injustice: “Queen & Slim” Treats Its Outlaws as Misguided Political Symbols
It treats its strangers–turned–outlaws as political symbols rather than fleshed-out characters with interests and flaws.
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In 2019, “Charlie’s Angels” Isn’t Just about Girl Power—It’s a Critique of Male Leadership
In 2019, Charlie’s Angels is less about impossibly perfect women saving the world.
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Fighting to Thrive: Reflecting on “Boys Don’t Cry” 20 Years Later
Representation matters, but so do the stories that the media—film and television—chooses to tell about trans lives.
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The Final (Male) Frontier: “Lucy in the Sky” and “Proxima” Bring Women Astronauts down to Earth
The final frontier continues to be a male-dominated arena, fertile ground for storytelling that taps into masculine psychologies in symbolically grandiose fashion.
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99 Percent Savior: In Contemporary Horror, It’s the Final Girl versus the Rich
The Final Girl is no longer a babysitter or camp counselor, but a working-class outsider to wealth and decadence who is treated as an exploitable object to be lured in with money.
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Finite Love: What Lesbian Period Dramas Lose When We Project Our Fears on Them
Films and television series featuring queer characters are still relatively scarce.
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