horror
Pretty Horrifying:: Video Director Maegan Houang’s Visceral Vision for Mitski’s Music
Horror is a means to this end, something that Maegan Houang views as a “tool” in their kit. “The thing about horror and music videos is that it’s a genre that creates a shorthand that allows you to tell a more concise story,” says Houang.
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“Yellowjackets” and the Disturbing Reality of Social Contract
With Yellowjackets, the so-called “puzzle-box show” achieves a kind of maturity by doing away with the conspiratorially furrowed brow of the masculine heroes who are obsessed with, and eventually resolve, whatever metaphysical conundrum that has made life unlivable.
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Righteous Spirit: Indigenous Horror Authors Tap into Tribal Traditions
These writers are resisting the long impact of colonization and Christianity, which forced Indigenous communities to either hide or abandon their stories.
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Frigid Family: “Spencer” Amplifies the Horror of the Royal Family
At last a Diana every bit as batshit as any of the inbred remnants of House Saxe-Coburg-Goth.
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Bloodlust: “Mayday” Is a Brutal, Irresistible Feminist Revenge Fantasy
Karen Cinorre delivers a bloody, cathartic thrill with Mayday.
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Summoning Yourself: The Role of Conjure in “Candyman”
Sometimes desire is layered with disbelief, but the summoner gets what they asked for regardless.
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Demon Seed: “False Positive” Treats Wombs as Receptacles for Terror
In each of these films, it’s the male ego that guides the doctors and fathers.
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Queer Fear: The “Fear Street” Trilogy Refuses to Bury Its Gays
Fear Street refuses to prioritize straight, white leads like the slasher films of the past.
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“Them” and Us: Do We Need to Televise Black Pain to Take It Seriously?
Stomach-churning violence against Black women is near constant.
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Hiding in Dreams: Jane Schoenbrun Is Redefining Trans Cinema
Bitch spoke with Jane Schoenbrun about the film, dysphoria, and how the internet shapes our identities.
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