screen review
Personal Parallels: Halsey’s Gothic Film Is a Gendered Journey Through Pregnancy
“I am not a woman, I’m a god / I am not a martyr, I’m a problem.”
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“The White Lotus” Shines Its Tiki Torch on Settler Colonialism
The White Lotus looks to critique masculinity and its many toxicities.
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Land Mine: Did “Rutherford Falls” Need to Center a White Guy?
The story draws on a narrative that has gained traction in the reckoning around race and history.
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Making Waves: In “Luca” and “Wolfwalkers,” Monstrousness Is a Queer Metaphor
While the two films feature protagonists’ attempts to assimilate into human culture, they also ultimately do so under the threat of violence and discrimination.
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Big Time Crush: “Never Have I Ever” Loses Itself In a Teenage Love Triangle
Never Have I Ever is like a teenager: It wants to be popular, relatable to everyone, and alienating to no one.
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Bring the Noise: “We Are Lady Parts” Chooses Joy Over Judgement
No trauma porn, no white saviors.
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Dressed for Comfort: The Series Finale of “The Bold Type” Is Fashionably Emotional
The series finale of The Bold Type is a call back to the five seasons Kat, Jane, and Sutton shared on Freeform.
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Is Hollywood Ready for the Realness of “Zola?”
You can’t tell stories about Black women without Black women creators.
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Inner Demons: “Physical” Presents a Darker Underdog Story
The show depicts an unfulfilled housewife’s inner demons with brutal clarity, making for a compelling but difficult watch.
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Super Fly: “Tuca & Bertie’s” New Season Is an Incisive Look at Friendship
After a year in limbo, the bird besties are back.
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