At Bitch, we’re always looking for pitches that speak to feminist responses to pop culture.
Our definition of pop culture is broad, encompassing cultural attitudes and myths, phenomena of the popular imagination, and social trends as well as movies, TV, magazines, books, advertising, and the like. In addition to our quarterly print magazine, we publish online content five days a week. We are looking for discussion-provoking critical essays that are well researched with evidence to back up claims, timely statistics, and connections between one’s personal experience and larger social forces. Interviews with feminist culture-makers are welcome, as are book, film, and music reviews and nuanced analyses of particularly horrifying and/or inspiring examples of pop culture.
First-person essays are great, but please read our print magazine and website to get a sense of how our contributors strike a happy balance between the personal “I” and the larger subject matter at hand. We do not publish fiction or poetry. Ever. Seriously. Nonfiction essays only, though we do not publish experimental lyric essays or anything that reads like a dissertation. Finished work and query letters are both welcome. If sending only a query, please include clips or writing samples. If you have not written for us previously and are pitching a Feature or Dispatch piece, please send either a full draft or a 300-word write up outlining your article.
If you’d like to pitch to the print magazine, please think about what section of the magazine would be the best fit for your idea.
Features are between 1,500 and 3,000 words of meaty critiques, essays, and articles on culture from a feminist perspective. We’re looking for sharp-eyed perspectives on pop culture and the media, brimming with personal insight and wit. Features vary in format: interviews, reported pieces, and critical essays are welcome, as are roundups and graphically driven formats like timelines, charts, and comics. Recent features include a look at how women’s suicides became a cultural phenomenon, the colonization of ayahusca, questioning the perpetrator-victim binary in sexual-assault narratives, examining the Black-woman-as-savior trope, and celebrating a new literary renaissance of trans writers.
Dispatches are 1,200-word missives from the front lines of underexamined or fictional worlds and places. Past columns brought attention to white supremacy in the Harry Potter series, Cuba’s feminist future, and immigration reform protests in Texas.
Front of Book is a section with fun, short pieces that still carry the heft of feminist critique in an accessible format. This section has recurring slots such as Dispatches and Feminist Fill-In.
Culture is where Bitch brands its cultural authority through essays about books, music, and screen; profiles of individuals and those who are creating and defining cultural moments; and interviews with those working in publishing, Hollywood, podcasting, and other areas who are helping us imagine new possibilities for representation and inclusion.
Payment varies but is generally $700-$1000 for features, $350 for dispatches, and between $150-$700 for culture stories. All of our writers are paid. Please send all materials through our submission manager. Submit to the section of the magazine that best fits your pitch. We do not accept submissions or pitches through the mail.
Our themes are intended to be nonexclusive jumping-off points rather than limiting factors, and below we’ve included a few key words that may help along your fabulous brainstorms. We encourage you not to interpret the themes too literally, and in fact to go ahead and interpret them as loosely as you wish. Furthermore, if you have an idea you think is right for us but that fits no theme, go ahead and pitch it anyway.
Bitch Media seeks to be a fresh, revitalizing voice in contemporary feminism, one that welcomes complex, intersectional arguments and refuses to ignore the contradictory and often uncomfortable realities of life in an unequivocally gendered world. We are independent, we are feminist. We believe in pop culture as a valuable, dynamic site and we do not shy away from the rich and productive tensions that arise when analyzing and critiquing it through a feminist lens.
CALL FOR SUBMISSIONS
Open: December 14, 2018 to February 25, 2019
At Bitch Media, feminism has always been a hot topic. For other media organizations, it’s been a hot potato. In one cultural sphere, feminism might appear to be on a hot streak. In another, it might be a hot mess. To think about heat as a concept is to grapple with a span of accumulated meanings that don’t always feel cohesive. Heat has literal manifestations in temperature and weather; it has cultural cachet as trendy, profitable, and sexy; it has seemingly contradictory shorthand use in pointing to institutional and top-down control, outlaw rebellion, and religious doomsaying. As an outlet for writing and art that’s invested in how language shapes meaning, understanding, and belief, we’re excited for our summer issue to explore all these things and more.
Heat, in all its forms and with all its implications, suffuses our public and private worlds, impacts our economies, motivates our decisions and our identities. In media and pop culture, heat is changeable, constantly ranked currency: hot takes, hottest restaurants, hottest tech IPOs, hot Oscars races, and, of course, hottest bodies. For issue 83, we’re looking for reportage, analysis, information, and commentary that steps directly into the fire.
Should we talk about how fame can light up—and burn down—movements toward political transformation and social justice? Let’s. Shall we look at the realm of food trends, where spices signify so much more than literal flavor? Sounds tasty. Can we circle up to discuss religion, imagination, and visions of Hell? Hell yes. Do we want to meditate on expressions of anger that intersect with feminine and racial imperatives? You already know we do. So give us fiery pitches that illuminate how we understand—and don’t understand—Heat as a cultural concept.
KEY WORDS: summer, gambling, climate change, exercise, wildfires, deviance, stereotypes, passion, hell, religion, sex, fame, lottery, swearing, curses
We accept online pitches on a rolling basis. Click below to view open calls and submit your pitches through our submission manager.
We’re always looking for new illustrators to work with. We commission people with various styles appropriate for each individual article.
Payment varies (existing work vs. commission-based) but is generally between $300-$600 for magazine features, $200-$400 for spot illustrations, and $600 for a photo essay.
We do commission online illustrations, infographics, and comics too, though less frequently. Payment starts at $150 for online images.
Bitch accepts pitches for our “Adventures in Feministory” series on an ongoing basis. This one-page piece always found on the last page of our print magazine, pays homage to a feminist figure worthy of a whole lotta recognition and love, either as a one-page comic or a full-page annotated portrait. Past “Adventures in Feministory” heroines include Vera Rubin, Lucy Gonzalez Parsons, and Dr. Mae Jemison. Pitches for this specific feature should be rooted in history and are usually less well-known than we think they should be. Their work should be tied to the theme of the issue, and once accepted, would be developed in conjunction with our art directors. Who has had an impact on your community who we should know about? Let us know your ideas! Payment for Adventures in Feministory is $500.
Illustrators and comics artists interested in our open calls for “Adventures in Feministory” should pitch specific ideas through our submission manager, or email firstname.lastname@example.org directly.
If interested in general illustration for Bitch, please send your portfolio link and any specific suggestions (style, topic) for artwork directly to email@example.com. Email is preferred, but you can also send mail (no originals, please!) to:
Bitch: Feminist Response to Pop Culture
PO Box 11929
Portland, OR 97211
While we may not be able to respond to every general submission, we’ll keep your work on file if submitted by email or by post.
Bitch HQ receives hundreds of review requests each month. This includes authors, artists, and filmmakers. Review requests sent en masse end up in the trash. If you’re looking for a genuine review, please be familiar with the publication—we support artists who acknowledge Bitch’s mission. For example, bands or musicians up for review should have at least one female or feminist member (we think dude bands get enough attention elsewhere). And as always, a personal query or email is always a nice touch; sincerity is more important than length. Please send print magazine and digital coverage queries to our staff.
Hard copies of books can be mailed to:
c/o Evette Dionne
PO Box 11929
Portland, OR 97211
Hard copies of film and music can be mailed to:
c/o Evette Dionne
PO Box 11929
Portland, OR 97211